We've been doing a lot of soul-searching about you. When we said we needed to take some time off from our relationship with you, it was just to reinvigorate our souls - so we could come back and love you better.

Can we please just put this whole break-up behind us? Can we get back together again? We're ready for commitment because you're 'the One'.

We know it was tough on you, and trust us, we had a rough time too. We just miss you so so much. How you used to visit us every month and how you used to listen to our shenanigans and how you used to weave narrative-new-media-spoken-word-art-awesomeness for us was just tops. And we know we're supposed to say 'let's take it slow babe and make the most of our second chance at love', but we kinda have this idea...

Let's get back together with a big party! A big huzzah!

We'll call it Cottonmouth XVIII and you know what that means? We're turning 18. And that means we're all kinds of legal now.

Oh won't you rekindle the fire with us for our first night back together again in our monthly affair?

The inimitable and illimitable high-steppin' and high-croonin' Tomas Ford returns to ringmaster us through a night of spoken-worders, poets, sound artists, playwrights, new-media-welders and narrative grandstanders.

And bands, oh sweet glory, the bands!

Open mikers, blessed open mikers, your new Open Mic host is none other than the infamous and, in the matters of love, indefatigable and never ineffable Sir Byron Bard! And just wait until you hear what he has in store for you dear open mikers. The Bard giveth and the Bard taketh, and for you sweet open mikers, the Bard doth only give, Give, GIVE!

We almost forgot... did you know we made something special during our separation? We called her Cottonmouth: An Anthology of New Australian Writing. And she's beautiful.

Our 'zine COTTONMOUTH will return in October and we'll tell you more about it when we see you on 2 September.

It'll be the perfect night for you and us to get back together and make up.

With performances by:

Lily Chan
Sam Fox
Kaitlyn Plyley
Julian Staltari
Allan Boyd
Matt Giles
Amber Fresh
Tristan Fidler

Musical guests:

Rachel Dease
Gilbert Fawn (Matt Aitken)

When: doors open 7:30pm, Thursday 2 September 2010, and then the first Thursday of every month

Where: 459 Bar Rosemount Hotel 459 Fitzgerald St North Perth

How much: $5 entry, or $20 entry + anthology

On Saturday February 27, the Cottonmouth animals crawl out from underground, returning for 2010 with a peacock-bewildering, hula-spinning outdoor spectacular. Because we've missed you so much, we wanted to throw a hell of a party to kick off a year for which we have pretty grand plans. In conjunction with the Perth Writers Festival, we're treading the boards of UWA's New Fortune Theatre with a coterie of the region's most exciting spoken word performers gathered from the Festival and beyond.

Cottonmouth favourites Simon Cox, James Quinton, Rebecca Giggs, Amber Fresh, Patrick Pittman and Scott-Patrick Mitchell will be presenting new work alongside five very special out-of-towners, with music from Chris Cobilis and Seven Weapons.

Brisbane poet and raconteur Samuel Wagan Watson stole the show last time he came for the Festival in 2007, and he's been somebody that we've been wanting to see on our stage for a while. His stunning 2004 collection Smoke Encrypted Whispers won the NSW Premier's Literary Award, but much more importantly, his festival bio mentions the following: he was recently commissioned by the Japanese Aeronautical Exploration Agency to write haiku for the pleasure of the astronauts on the International Space Platform.

Melbourne writer Tom Cho's performance at the final Cottonmouth of 2009 was one of our favourite things in our first run, so we're pretty thrilled to have him back. Last time, he destroyed a call center with ninjas. Enough said.

Hailing from New Zealand, and joining us on respite from the Iowa Writers' Workshop, is the rather amazing Eleanor Catton. Her debut novel The Rehearsal has been gathering rapturous reactions and sundry prizes from all over the shop. Last we heard from her, she'd been writing a fantasy novel in an Iowa bar, which makes us think she's going to fit Cottonmouth pretty perfectly.

Josephine Rowe's poetry and short fiction have been published in HEAT, Island, Overland, Best Australian Poems and The Age, and read on Radio National. Her collection of short stories, How a Moth Becomes a Boat, is about to be re-released by Hunter Publishers. The ace lit journal Torpedo calls her one of the most talented short story writers in Australia. We agree.

AND DID WE MENTION THERE WILL BE HULA HOOPS? Writer and circus performer Judith Lanigan's excellent debut novel A True History of the Hula Hoop was recently published by Picador, and you can hear her talk about that at the Festival. But we mouthers wanted more -- we wanted the hoops. Judith will be performing her interpretation of the ballet The Dying Swan with something like 30 hoops. This, we're pretty sure, will BLOW YOUR MIND.

How much for all of this? FREE! As in no money! (Thanks, Perth Writers Festival!). So you can spend the money you would have spent either at our bar or at the mammoth zine table that the Perth Zine Collective shall be providing. We'll also be taking over whatever wall space we can negotiate with the peacocks (who guard the theatre) to bring back our typewriter wall, because it wouldn't be a Cottonmouth without it.

MC Byron Bard shall kick things off at 7.30. Get down early at 6.15 to catch the launch of the latest issue of Indigo, featuring Alex Miller and many more readings and performances. We go ahead rain or shine, we've got a backup tent planned if the heavens aren't cooperating.

After many months of hard labour from the 'mouthers, our Anthology has finally been delivered to the printers. We've gathered the work of more than 30 amazing writers over 148 beautiful, 100% recycled pages, more than a few of them adorned with beautiful illustrations.

We're accepting pre-orders prior to February 8 for $16 plus p&h. You can pre-order online and get more info just over here. 

After this date, it will retail for $20. We're going to throw a big launch party in late March and, as a sweetener, ALL pre-orders will get free entry to this gig. I might even throw in a badge or two from our Cottonmouth and Novel Badges collections.

We've got a few more exciting things to tell you in the weeks to come, but I just couldn't wait to let you know about this one.

There'll be more news on the Cottonmouth front real soon, but right now we thought we'd pipe up to let you all know about our good friends at Overland. We're hoping you might head on over and join the love-in that is their first annual Subscriberthon. See, here's a button:

You remember how we said we weren't doing anything until next year? That was almost completely the truth. This one was just too exciting to pass up.

We've teamed up with Amnesty to put on a mother of a show for their ARTillery Youth Arts Festival, bringing you an evening brimming with narrative art on Thursday November 26 at the Astor Lounge, 659 Beaufort St, Mt Lawley.

Performers on the night will use their own unique craft to respond to the theme: demand dignity. Poets will consider, debators will contend, storytellers will weave, mc's will wax lyrical, songwriters will play and activists will proclaim.

Audience members should bring their best typing fingers as our largest typewriter wall to date will await your opinions.

Open mic hopefuls who would like to "Demand Dignity" should come down to register between 7pm and 8pm.

Our spectacular line-up for the evening will include:

On Sound

• Field of Sound
• Jon Michell (Melb / Mum Smokes / The Ancients)

On Speech

• Jeremy Balius
• Alf Taylor
• Coral Carter
• Ray Grenfell
• Afeif Ismail Abdelrazig (with Vivienne Glance)
• Mark lloyd
• Gladys Milroy
• Giovanni Torre
• Deborah Hunn
• Dave Leigh
• Allan Boyd

On Sight

• Two short films!

Tickets are $8 on the door (including the special edition Cottonmouth / Amnesty zine).

If you would like to contribute something on topic for the zine, email submissions to Jessyca Hutchens (jessyca@mac.com), no later than November 19.

Tom actually performed two other excellent pieces, but we ran out of tape. So it goes. You should definitely check him out and buy his book though.